Incredibly proud to have been involved with this #2!

So I said…

It would be great if you guys made a virtual version of your µFreak, since you make such great sounding virtual filters, and the rest is all digital anyway! 

They went me one better!

To be able to have deep involvement in this has been one of the most satisfying experiences in my career.

The miniFREAK-V  killer feature you ask?

The hardware acts as a perfect control surface for the software version so you get all the realtime hands on control of a hardware synth, but the multiple instances of a plugin.

Normally, you buy a hardware synth and have only 1 ‘Instance’ as its atoms!, but… This one…

Buy a very VERY fun poly synth with an incredible array of oscillator types, and a CRAZY useful arpeggator / sequencer, and get a software version you can use in your DAW, giving you as many ‘COPIES’ as your cpu can handle.

MusicTech magazine likes it! 

Incredibly proud to have been involved with this:

More than two years ago,  I bought a µFreak, it is easily the most fun synth I’ve had in 30 years… but I had a few thoughts…

So, I had a conversation with the brilliant welcoming people at Arturia.

That ended up with me being quite deeply involved in the development of this absolutely superb instrument.

The Arturia miniFreak,  If your a synth geek, I definitely recommend checking it out.

Arturia's MiniFreak is a 6-voice hybrid synth with analogue filters

 

And the lovely Loopop seems to like it !

 

 

 

 

 

A Slam Edit…  then the Exhausting version… 

A Review!  from the ever inquisitive sonic explorer Marc Weidenbaum who runs  https://disquiet.com/ an essential site and mail list for anyone interested in sonics.

“Thanks. I dig this. It’s spacious and succinct at the same time, It’s got a Bill Laswell vibe a bit.”


Just very VERY poorly edited (NeedleDrop) set of moments from a 2 and a half hour improvisational session with Patrick Higgins, aka…   Badrico.

We are both contributing synthetics, and percussion etc…  Patrick via a wind controller and keys, (I think), im playing Bass, El guitar, µFreak and percussion and sound effects.

Mix is a mess because its a live performance and we have to manage as we go…

Just Hit Play:  and trance out for 23 mins.

 

Or… if your a sucker for punishment, or need a longer time out…

The 90 min version, Still some bad edits…

#Endlesss

Had a rather dizzyingly early start a few mornings ago to jam with Imogen Heap via Endlesss

People : Meet Matt and Imogen…

The session was about an hour of absurd noises and some fun, it was an honour and delight to be involved …

I need to point out this was a collaborative effort, so also very much involved were: Jim Mclure, Rick Sands, and Jeremy Michael Skjevling.

Thanks to all!

Got asked, so…Setup was: OBS  collecting my 2 vid streams  (laptop and Phone cameras) and intercom audio sending via Google Meet to the very gracious Matt at Endlesss, then music via Ableton Live ‘blackhole’d‘ to the amazing @EndlesssFM Studio, synching all the audio from the UK and USA to me. My Toys were a few NI soft synths, a Microfreak, with a tokai tele and a stingray bass via GtrRig.