It would be great if you guys made a virtual version of your µFreak, since you make such great sounding virtual filters, and the rest is all digital anyway!
They went me one better!
To be able to have deep involvement in this has been one of the most satisfying experiences in my career.
The miniFREAK-V killer feature you ask?
The hardware acts as a perfect control surface for the software version so you get all the realtime hands on control of a hardware synth, but the multiple instances of a plugin.
Normally, you buy a hardware synth and have only 1 ‘Instance’ as its atoms!, but… This one…
Buy a very VERY fun poly synth with an incredible array of oscillator types, and a CRAZY useful arpeggator / sequencer, and get a software version you can use in your DAW, giving you as many ‘COPIES’ as your cpu can handle.
A Review! from the ever inquisitive sonic explorer Marc Weidenbaum who runs https://disquiet.com/ an essential site and mail list for anyone interested in sonics.
“Thanks. I dig this. It’s spacious and succinct at the same time, It’s got a Bill Laswell vibe a bit.”
Just very VERY poorly edited (NeedleDrop) set of moments from a 2 and a half hour improvisational session with Patrick Higgins, aka… Badrico.
We are both contributing synthetics, and percussion etc… Patrick via a wind controller and keys, (I think), im playing Bass, El guitar, µFreak and percussion and sound effects.
Mix is a mess because its a live performance and we have to manage as we go…
Just Hit Play: and trance out for 23 mins.
Or… if your a sucker for punishment, or need a longer time out…
I bought the Microfreak as a poly aftertouch controller and for its fun Arp/Sequencer. Over time Arturia just kept adding more and more features to this really rather boggling little synth.
Had a rather dizzyingly early start a few mornings ago to jam with Imogen Heap via Endlesss
People : Meet Matt and Imogen…
The session was about an hour of absurd noises and some fun, it was an honour and delight to be involved …
I need to point out this was a collaborative effort, so also very much involved were: Jim Mclure, Rick Sands, and Jeremy Michael Skjevling.
Thanks to all!
Got asked, so…Setup was: OBS collecting my 2 vid streams (laptop and Phone cameras) and intercom audio sending via Google Meet to the very gracious Matt at Endlesss, then music via Ableton Live ‘blackhole’d‘ to the amazing @EndlesssFMStudio, synching all the audio from the UK and USA to me. My Toys were a few NI soft synths, a Microfreak, with a tokai tele and a stingray bass via GtrRig.