{"id":5528,"date":"2020-04-06T17:00:57","date_gmt":"2020-04-06T05:00:57","guid":{"rendered":"https:\/\/www.shapednoise.com\/site\/?p=5528"},"modified":"2024-02-28T16:42:17","modified_gmt":"2024-02-28T03:42:17","slug":"starting-to-get-there","status":"publish","type":"post","link":"https:\/\/shapednoise.com\/site\/starting-to-get-there\/","title":{"rendered":"Keep your eye on the dial\u2026\u00a0"},"content":{"rendered":"<p><strong>Euclidian Pulse Triggering the Note at the relative note pattern position.<\/strong><\/p>\n<div style=\"width: 980px;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-5528-1\" width=\"980\" height=\"300\" preload=\"auto\" controls=\"controls\"><source type=\"video\/mp4\" src=\"https:\/\/www.shapednoise.com\/site\/wp-content\/uploads\/2020\/04\/Rowla-Vid2.mp4?_=1\" \/><a href=\"https:\/\/www.shapednoise.com\/site\/wp-content\/uploads\/2020\/04\/Rowla-Vid2.mp4\">https:\/\/www.shapednoise.com\/site\/wp-content\/uploads\/2020\/04\/Rowla-Vid2.mp4<\/a><\/video><\/div>\n<h4 style=\"text-align: right;\"><em>Update: Sorry, im no longer giving this away.\u00a0<\/em><\/h4>\n<h4><span style=\"font-weight: 400;\">Intent:\u00a0 FUN\u00a0<\/span><\/h4>\n<p><span style=\"font-weight: 400;\">Have real time control over the accent pattern on a repeating 16 step riff, allowing you to make it into a dynamic performance rather than a static loop.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Riff keeps the relative position of the notes constant, while the Euclidean Rotator allows shifting the accent pattern to \u2018pick out\u2019\u00a0 different notes in the 16 step pattern.\u00a0<\/span><\/p>\n<p><strong>Quick Start:<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Make sure the <\/span><span style=\"font-weight: 400;\">Euclidean Rotator<\/span><span style=\"font-weight: 400;\"> is set to\u00a0 16 <\/span><b>steps<\/b><span style=\"font-weight: 400;\"> and a <\/span><b>Fill<\/b><span style=\"font-weight: 400;\"> of 16\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">So it triggers every step\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Now, use the Shift Sequencer to set up a repeating pattern you like\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">(to make things more obvious, start with 16 beats)\u00a0 THEN: Hit Stop.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Now try lowering the Fill to a value of 10 and hear how notes in the sequence are now being picked out so only 10 of the 16 steps are being heard, note, the Sequence is still playing the same notes at the same point in the bar.\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><b>CC-11 controls FILL\u00a0<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Now try altering the STEPS counter and the FILL amount and see how the Dynamic pattern now evolves over several bars, but the riffs notes are still positioned in the original point in the bar. (so you can have a set melodic pattern that rhythmically is shifting the accents)<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Quick guide to the GUI below<\/span><\/p>\n<p><b>2 \/ 2<\/b><\/p>\n<p><span style=\"font-weight: 400;\">CLK DIV\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">1 Triggers the step rate of the Shift Seq\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">2 Triggers <\/span><span style=\"font-weight: 400;\">CFG<\/span><span style=\"font-weight: 400;\"> gate 2<\/span><\/p>\n<p><span style=\"font-weight: 400;\">3 Triggers <\/span><span style=\"font-weight: 400;\">CFG<\/span><span style=\"font-weight: 400;\"> gate 3<\/span><\/p>\n<p><span style=\"font-weight: 400;\">6 Triggers the rate of the Euclidean Rotator<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">CFG\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">1 controls a fast timbral sweep on the <\/span><span style=\"font-weight: 400;\">DWG<\/span><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">2 controls a slower timbral sweep on the <\/span><span style=\"font-weight: 400;\">DWG<\/span><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">3 Controls a change in the MIX of the <\/span><span style=\"font-weight: 400;\">DWG<\/span><span style=\"font-weight: 400;\"> outputs\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">4 controls the Level of the <\/span><span style=\"font-weight: 400;\">LPG <\/span><span style=\"font-weight: 400;\">so can be thought of as the AMP ENV.<\/span><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">DWG<\/span><span style=\"font-weight: 400;\"> Mod A input is a summed CFG 1+2 Mod B input is CFG 2\u00a0\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Mod-Wheel<\/span><span style=\"font-weight: 400;\"> controls the Decay of the LPG and its output level and brightness, as well as changing the delay balance.\u00a0 (signal will be heard if the clocks are running and Mod-Wheel is up)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">After Touch<\/span><span style=\"font-weight: 400;\"> controls a slight detune of the MOD OSC in the DWG providing a tiny bit of extra grit\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><i><span style=\"font-weight: 400;\">To take things up a notch, use the RANGE controls in the Shift Sequencer to alter the octave and holds or notes to provide even more weirdness, or change the Shift Seq Clock rate,\u00a0or\u2026\u00a0\u00a0<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWow, nice idea but I hate the synth\u201d I hear you say?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Then try the included midi only version with the monophonic synth of your choice<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Euclidian Pulse Triggering the Note at the relative note pattern position. Update: Sorry, im no longer giving this away.\u00a0 Intent:\u00a0 FUN\u00a0 Have real time control over the accent pattern on a repeating 16 step riff, allowing you to make it into a dynamic performance rather than a static loop.\u00a0 The Riff keeps the relative position [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1,19,4,28],"tags":[53],"class_list":["post-5528","post","type-post","status-publish","format-standard","hentry","category-uncategorized","category-noise-libre","category-blog","category-synthetics","tag-reaktor"],"_links":{"self":[{"href":"https:\/\/shapednoise.com\/site\/wp-json\/wp\/v2\/posts\/5528","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/shapednoise.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/shapednoise.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/shapednoise.com\/site\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/shapednoise.com\/site\/wp-json\/wp\/v2\/comments?post=5528"}],"version-history":[{"count":10,"href":"https:\/\/shapednoise.com\/site\/wp-json\/wp\/v2\/posts\/5528\/revisions"}],"predecessor-version":[{"id":7062,"href":"https:\/\/shapednoise.com\/site\/wp-json\/wp\/v2\/posts\/5528\/revisions\/7062"}],"wp:attachment":[{"href":"https:\/\/shapednoise.com\/site\/wp-json\/wp\/v2\/media?parent=5528"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/shapednoise.com\/site\/wp-json\/wp\/v2\/categories?post=5528"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/shapednoise.com\/site\/wp-json\/wp\/v2\/tags?post=5528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}